By Rebecca Cantrell
In Rebecca Cantrell's A urban of damaged Glass, journalist Hannah Vogel is in Poland together with her son Anton to hide the 1938 St. Martin competition whilst she hears that 12,000 Polish Jews were deported from Germany. Hannah drops every little thing to get the tale at the refugees, and walks without delay into danger.
Kidnapped by way of the SS, and pushed around the German border, Hannah is rescued via Anton and her lover, Lars Lang, who she had presumed useless years earlier than. Hannah doesn't comprehend if she will belief Lars back, along with her middle or along with her lifestyles, yet she has little selection. Injured within the break out test and sought after by means of the Gestapo, Hannah and Anton are trapped with Lars in Berlin. whereas Hannah works on an go out method, she is helping to look for Ruth, the lacking baby of her Jewish good friend Paul, who was once disappeared throughout the deportation.
Trapped in Nazi Germany along with her son simply days earlier than Kristallnacht, the evening of damaged Glass, Hannah is aware the risks of staying to any extent further than wanted. yet she can't flip her again in this one little lady, whether it plunges her and her relations into possibility.
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Additional info for A City of Broken Glass (Hannah Vogel, Book 4)
Fort Washington, PA: Copernicus Society of America; New York: Hippocrene Books, 1991); Sara Donati, Into the Wilderness (New York: Bantam, 1998); Diana Gabaldon, Outlander (New York: Delacorte, 1991); Ross Leckie, Hannibal (Washington, DC: Regnery, 1996). 41. Tim Willocks, The Religion (New York: Farrar, Straus, and Giroux, 2007). Ridley Pearson, Walt Fleming series, beginning with Killer Weekend (New York: G. P. Putnam’s Sons, 2007). Sebastian Junger, The Perfect Storm: A True Story of Men against the Sea (New York: Norton, 1997); Jon Krakauer, Into Thin Air: A Personal Account of the Mount Everest Disaster (New York: Villard, 1997).
If that strong romantic relationship is missing, the book probably fits in the Suspense genre instead. In Suspense we usually can distinguish the hero from the villain; although we have the villain’s point of view, he is usually a shadowy figure, not necessarily identified by the author or protagonist. This is often not the case in Romantic Suspense. Here, we have reason to suspect the motives of both men, hero and villain, and not until the end do we—and our heroine—discover which is really which.
12 These feature series characters, and each book leads up to and describes, in detail, a particular battle. Historical notes at the end of each book add an informative and authoritative touch, setting the books firmly in the period they describe. To support the frame of their stories, authors often include maps or detailed plans of ships. Extensive historical notes, as at the end of each of Cornwell’s titles, relate the known historical facts of the fictionalized events and are more and more frequently found in other books with historical settings.
A City of Broken Glass (Hannah Vogel, Book 4) by Rebecca Cantrell