By Dan Hosken
An advent to song know-how offers a transparent and concise assessment of the basic parts of tune know-how for today’s musician. it really is designed to supply track scholars with the heritage essential to observe expertise of their developing, instructing, and acting. This ebook specializes in 5 issues that underlie the and software program in use this day: Sound, Audio, MIDI, Synthesis and Sampling, and laptop Notation and Computer-Assisted guide. furthermore, there's an appendix that covers worthy computing device and software program options. positive aspects: Thorough motives of key themes in song expertise content material acceptable to all software program and undefined, no longer associated with only one piece of software program or equipment In-depth dialogue of electronic audio themes, reminiscent of sampling premiums, resolutions, and dossier codecs factors of ordinary audio plug-ins together with dynamics processors, EQs, and delay-based results insurance of synthesis and sampling in software program tools Pedagogical good points, together with: extra analyzing sections that permit the scholar to delve deeper into issues of curiosity – advised actions that may be conducted with quite a few varied courses – keyword phrases on the finish of every bankruptcy – What do i would like? chapters protecting the categories of and software program wanted for you to prepare Audio and MIDI structures – The significant other site includes hyperlinks to audio examples that show numerous ideas, step by step tutorials, proper undefined, software program, and extra audio and video assets.
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Additional resources for An Introduction to Music Technology
This traditional notation is somewhat misleading, because it implies that every note is really a chord and that all the frequencies are distinct pitches. There is really just one pitch associated with an overtone series—the pitch related to the fundamental frequency. However, there are some useful features about the frequencies in the overtone series that can be seen with traditional notation. For example, for brass players, the fundamental frequencies of the pitches available at each valve fingering or slide position are found in the overtone series that is built on the lowest note at that fingering or position.
The middle ear consists of the tympanic membrane, or eardrum, and a series of three bones, collectively referred to as the ossicles, which connect the eardrum to the inner ear. When a sound wave reaches the eardrum, it vibrates in sympathy. To get a sense of how this works, try pointing a trumpet, or some other loud instrument, at the head of a timpani drum and playing loudly. The drumhead will vibrate madly without ever being struck. Similarly, you can also sing into a piano while holding the damper pedal down and hear the strings vibrate in sympathy with your voice.
It is possible to fool the ear in various ways with regard to the relationship between frequency and pitch. For example, the cognitive psychologist, Roger Shepard, developed an illusion in which a series of tones appears to rise endlessly, but never leaves a relatively narrow range of frequencies. In his honor, these are referred to as Shepard tones. The tones in this illusion are made up a number of frequencies in octaves. As all the frequencies rise, the higher frequencies gradually fade out and frequencies below them gradually fade in.
An Introduction to Music Technology by Dan Hosken