By Dana Arnold
Art and Thought is a set of newly commissioned essays that explores the connection among the self-discipline of artwork heritage and significant hobbies within the historical past of western idea.
- Brings jointly newly commissioned essays that discover the connection among the self-discipline of artwork background and pursuits within the historical past of western thought.
- Considers the impression of the writings of key thinkers, together with Aristotle, Kant, and Heidegger, at the manner during which gadgets are perceived and understood and histories of artwork are developed, deconstructed, and reconfigured in line with various units of philosophical frameworks.
- Introduces the reader to the dynamic interface among philosophical reflections and artwork practices.
- Part of the recent Interventions in artwork background sequence, that's released at the side of the organization of artwork Historians.
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Additional info for Art and Thought (New Interventions in Art History)
14. 9 B. Weinberg (1961). History of Literary Criticism in the Italian Renaissance. 2 vols. (Chicago: University of Chicago Press). , p. 115. , p. 136. 12 I use H. : Harvard University Press [The Loeb Classical Library] ). 13 C. Grayson (ed. ). (1972). L. B. Alberti. On Painting and On Sculpture. ’ (London: Phaidon), pp. 81–5. 14 H. Belting (1985). Giovanni Bellini. Pietà. Ikone und Bilderzählung in der venezianischen Malerei (Frankfurt/Main: Fischer Taschenbuch), pp. 28–36. 15 Fairclough, Ars Poetica, pp.
25 Herrick, Italian Tragedy, pp. 80 and 87. , p. 132. , p. 85. , p. 167. , p. 129. 30 Hope, Titian, p. 117. 31 Keller, “Tizians Poesie,” p. 142. 32 Hope, Titian, p. 125. 33 Panofsky, Problems in Titian, p. 150. 34 Hope, Titian, p. 126. 35 Herrick, Italian Tragedy, p. 142. 36 Nash, Veiled Images, p. 31. 37 M. W. Roskill (1968) (ed. ). Dolce’s “Aretino” and Venetian Art Theory of the Cinquecento (New York: New York University Press), p. 215. 38 A. Pope (1960). : Harvard University Press), p. 15. 39 Keller, “Tizians Poesie,” p.
28–36. 15 Fairclough, Ars Poetica, pp. 185–8. Aristotle, Titian, and Tragic Painting 27 16 For a useful summary, see W. Tatarkiewicz (1974). History of Aesthetics, vol. III. The Hague (Paris: Mouton; Warsaw: PWN-Polish Scientific Publishers), pp. 161–6. Also Weinberg, History of Literary Criticism, passim; M. T. Herrick (1965). Italian Tragedy in the Renaissance (Urbana: The University of Illinois Press); and P. Brand and L. ). (1996). The Cambridge History of Italian Literature (Cambridge: Cambridge University Press), pp.
Art and Thought (New Interventions in Art History) by Dana Arnold