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By Kathleen M. Adams

ISBN-10: 0824829999

ISBN-13: 9780824829995

ISBN-10: 1435666003

ISBN-13: 9781435666009

Art as Politics explores the intersection of paintings, identification politics, and tourism in Sulawesi, Indonesia. according to long term ethnographic examine from the Eighties to the current, the e-book deals a nuanced portrayal of the Sa'dan Toraja, a predominantly Christian minority staff within the world's such a lot populous Muslim kingdom. Celebrated in anthropological and tourism literatures for his or her staggering conventional homes, sculpted effigies of the useless, and pageantry-filled funeral rituals, the Toraja have entered an period of sped up engagment with the worldwide financial system marked via on-going struggles over identification, faith, and social relations.

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Additional resources for Art As Politics: Re-crafting Identities, Tourism, And Power in Tana Toraja, Indonesia (Southeast Asia--Politics, Meaning, Memory)

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I was startled by his use of the term “slave” (hamba, BI). 3 Toraja society, I understood, had long been hierarchically oriented on the basis of descent, wealth, age, and occupation. 4 Status was reportedly determined by birth, although financial success or failure allowed some individuals to penetrate the barriers of rank. However, I also knew that the Dutch had abolished slavery and that it competing toraja images of identity : 37 remained illegal in postcolonial Indonesia. Moreover, I had heard from others that the topics of rank and low ancestry were sensitive in Tana Toraja.

As he squirmed and the old men chortled, I realized it was time to reveal that I was neither a “turis” nor a girlfriend, but a graduate student coming to conduct research on Toraja culture. Nervously clearing my throat, I caught the attention of the men across the aisle and chirped in an awkward mixture of Indonesian and Torajan, “I’m not here for romance or relaxation. ” Another woman called out to those sitting nearby, “She can understand us. . ” The aisle next to me suddenly filled with people offering clove cigarettes and commentary.

This book expands on this family of ideas. Through ethnographic examples I make the argument that art, as an “affecting presence” imbued with emotional force, provides a particularly apt arena for negotiating, reaffirming, and at times challenging asymmetrical social identities. As I suggest, precisely because of the polysemic quality of artistic objects, their ability to carry multiple meanings and maintain ambiguity, the arts may surreptitiously effect changes in intergroup perceptions. 60 Ward Keeler (1987:17), in references to shadow puppet shows in Java, has suggested that such cultural performances constitute a series of relationships (among performers, spectators, sponsors, and other categorical groups) that permit an integration of the art form with other types of relationships among members of that culture.

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Art As Politics: Re-crafting Identities, Tourism, And Power in Tana Toraja, Indonesia (Southeast Asia--Politics, Meaning, Memory) by Kathleen M. Adams

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