By Susie Hodge
From the influential craftsmen of the excessive renaissance to the Dutch masters, and from the rococo and neoclassical activities of the 18th century to romanticism, modernism and modern paintings, the lives of the nice artists are as different and multifaceted because the works of artistic genius they produced.
The nice paintings advisor introduces readers to a hundred of the world’s most vital artists, from the thirteenth century to the current. Works via artists akin to Caravaggio, Vermeer, van Gogh and Warhol are prepared chronologically and set of their ancient context through Susie Hodge’s authoritative narrative.
Succinct and insightful artist profiles are observed through top of the range reproductions of the individual’s most important artistic endeavors. together with a thesaurus of keywords and a complete record of an important artwork associations from around the globe, this concise and readable advisor is a pleasure for college students of paintings or somebody eager to understand extra approximately nice artworks.
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Extra resources for Art: Everything You Need to Know About the Greatest Artists and Their Work
42; E. Pillsbury, "Barocci at Rome and Florence" (review), Master Drawings 14, no. i (Spring 1976), p. 62; A. Emiliani, Federico Barocci (Urbino 1535- 24 ITALIAN SCHOOL • BAROCCI 1612) (Bologna, 1985), vols. i, p. 159; 2, p. 444; D. DeGrazia, "Refinement and Progression of Baroccis Entombment: The Chicago Modello," Museum Studies 12, no. i (Fall 1985), pp. 35, 36, 38. THE PREPARATORY PROCESS FOR BAROCCl's ENTOMB- ment altarpiece has been convincingly established by Pillsbury (1978, pp. 63-66), who has suggested that the Museum's study was based upon a highly finished penand-ink drawing (Pillsbury 1978, no.
Percy, Giovanni Benedetto Castiglione—Master Draughtsman of the Italian Baroque, exh. , Philadelphia Museum of Art, 1971, no. 17. 2. A. StixandA. Spitzrrmller, Beschreibender Katalog der Handzeichnungen in der Staatlichen Graphischen Sammlung Albertina, vol. 6 (Vienna, 1941), pp. 49, no. 528, pi. 115; 48, no. 513, pi. no. 3. Percy (note i), p. 69. 4. The Museum's drawing was copied in prints by Chasteau (Parma, Biblioteca Palatina, inv. 4095) andCoypel (M. Huber, Catalogue raisonne du cabinet d'estampes defeu Monsieur Winckler, vol.
162. 30 ITALIAN SCHOOL • BECCAFUMI THIS DRAWING IS A PREPARATORY STUDY FOR THE pavement showing the Sacrifice of Isaac which was designed by Beccafumi for the cathedral of Siena in 1547. Although a number of minor differences exist between the drawing and the pavement, the former established the basic pose and gesture of the figure of Abraham. The figure of Isaac in the drawing appears to reflect a knowledge of the Belvedere Torso, while in the pavement Isaac's pose seems closer to a Hellenistic type of the kneeling Venus that was admired in the sixteenth century.
Art: Everything You Need to Know About the Greatest Artists and Their Work by Susie Hodge