Anna Tummers, Koenraad Jonckheere's Art Market and Connoisseurship: A Closer Look at Paintings PDF

By Anna Tummers, Koenraad Jonckheere

ISBN-10: 9048502373

ISBN-13: 9789048502370

ISBN-10: 9089640320

ISBN-13: 9789089640321

The query even if seventeenthcentury painters akin to Rembrandt and Rubens created the work that have been later bought lower than their names, has brought on many a heated debate. a lot remains to be unknown concerning the ways that work have been produced, assessed, priced, and advertised. for instance, did modern connoisseurs count on masters comparable to Rembrandt to color their works fullyyt by way of their very own hand? Who was once credited having the ability to determine work? How did a painting’s expense relate to its caliber? and the way did connoisseurship swap because the paintings marketplace grew to become more and more complicated? The members to this crucial quantity hint the evolution of connoisseurship within the booming paintings industry of the 17th- and eighteenth centuries. between them are the well known Golden Age students Eric Jan Sluijter, Hans Van Miegroet and Neil De Marchi. it's not to be overlooked by means of a person with an curiosity within the outdated Masters and the early smooth artwork marketplace.

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Additional resources for Art Market and Connoisseurship: A Closer Look at Paintings by Rembrandt, Rubens and Their Contemporaries (Amsterdam Studies in the Dutch Golden Age)

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Indd 31 07-10-2008 16:33:57 32 ANNA TU M M E R S only to conclude in the end that out of 300 drawings that were given to Raphael there were but two originals. I would give a good thing to see him censure yours and that you were [listening in from] behind the tapestry. When we were at his place, there was also no shortage of ‘controllers’, of which I was one of the minor figures, who challenged the attribution of what he [Jabach] believed to be true Giulio Romanos and Raphaels, which drove him into a rage that made us all laugh, so much so that there would be hardly any comedy that would equal such a conference’.

2 A letter sent from Paris by the Dutch scientist and art lover Christiaan Huygens to his brother Constantijn in The Hague shows that these rather playful attribution debates were not an exclusively British phenomenon. indd 31 07-10-2008 16:33:57 32 ANNA TU M M E R S only to conclude in the end that out of 300 drawings that were given to Raphael there were but two originals. I would give a good thing to see him censure yours and that you were [listening in from] behind the tapestry. When we were at his place, there was also no shortage of ‘controllers’, of which I was one of the minor figures, who challenged the attribution of what he [Jabach] believed to be true Giulio Romanos and Raphaels, which drove him into a rage that made us all laugh, so much so that there would be hardly any comedy that would equal such a conference’.

Masterly passages In the art theoretical literature a certain looseness and boldness in the execution of both sketches and finished paintings was associated with mastery. 98 Vasari and Van Mander described masterly applied loose strokes not only as difficult to execute, but also as difficult to imitate and, therefore, all the more characteristic of the artist who had created them. indd 50 07-10-2008 16:33:59 AR T MAR KET A ND C ONNOISSEURSHIP 51 Together with the design of a picture, the accents that were applied while working up a painting after the main parts had been painted in, were seen as some of the most difficult parts of the painting.

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Art Market and Connoisseurship: A Closer Look at Paintings by Rembrandt, Rubens and Their Contemporaries (Amsterdam Studies in the Dutch Golden Age) by Anna Tummers, Koenraad Jonckheere


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