By Maria Todorova
This can be a old learn, taking as its narrative concentration the existence, demise and posthumous destiny of Vasil Levski (1837-1873), arguably the key and in simple terms uncontested hero of the Bulgarian nationwide pantheon. the most name refers back to the 'thick description' of the reburial controversy through the ultimate part of communist Bulgaria, which established looking for Levski's bones. The e-book provides a particular knowing additionally of the connection among nationalism and faith within the post-communist interval, by way of interpreting the new canonization of Levski. The approaches defined, even supposing with a chronological intensity of just about centuries, are nonetheless a great deal within the making, and the residing archive expands not just in measurement yet with the consistent addition of unusual new types they take.At one other point, the ebook engages in quite a few normal theoretical questions. It bargains insights into the issues of historical past and reminiscence: the query of public, social or collective reminiscence; the character of nationwide reminiscence compared to different forms of reminiscence; the variety of reminiscence through the years and social area; substitute thoughts; and, memory's options like commemorations, the mechanism of constructing and transmitting reminiscence.
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Extra info for Bones of Contention: The Living Archive of Vasil Levski and the Making of Bulgaria's National Hero
J. T. , On Narrative, Chicago: University of Chicago Press, 1981, 148. For his extended argument, see “Social Dramas and Ritual Metaphors,” in Victor Turner, Dramas, Fields, and Metaphors. Symbolic Action in Human Society, Ithaca and London: Cornell University Press, 1974, 23–59. 13 Turner uses the term “story” as opposed to “chronicle” in the sense introduced by Hayden White in Metahistory: The Historical Imagination in Nineteenth-Century Europe, Baltimore: Johns Hopkins University Press, 1973.
The wine had its effect soon, since there was some kind of sedative in it; I don’t know exactly what. The guards got drunk and fell asleep. The moment was opportune. My father and grandfather Khristo took the corpse off the gallows and put it in an earlier prepared sack. My father carried it on his back, while grandfather Khristo led the way with the lantern. My father was a strong and healthy peasant, and was a true rebel all his life. With difficulty and not entirely without fear they reached the old church “Sv.
59 Naturally, one is not expected to treat any memory automatically as factual proof for an event but a careful historian would weigh the credibility of the testifier against his evidence. No one, given Dr. Dimkov’s social status, would accuse him of conscious confabulation or falsification. What can be easily agreed upon is that his story is evidence of a comparatively wide-spread belief in the reburial of Levski in the church. In a word, his “memory” cannot prove the fact of Levski’s place of reburial or that a reburial took place at all, but it is a proof that such a belief was widely held at the time.
Bones of Contention: The Living Archive of Vasil Levski and the Making of Bulgaria's National Hero by Maria Todorova