Read e-book online Death on the Cheap: The Lost B Movies of Film Noir PDF

By Arthur Lyons

ISBN-10: 0306809966

ISBN-13: 9780306809965

Robert Mitchum as soon as commented to Arthur Lyons approximately his video clips of the Nineteen Forties and Fifties: "Hell, we didn't understand what movie noir used to be in these days. We have been simply making video clips. Cary provide and all of the huge stars at RKO obtained the entire lighting fixtures. We lit our units with cigarette butts." movie noir was once made to reserve for the "B," or cost effective, a part of the motion picture double invoice. It used to be more affordable to supply since it made do with much less lighting fixtures, smaller casts, restricted units, and compact tale lines--about con males, killers, cigarette women, crooked law enforcement officials, down-and-out boxers, and calculating, scheming, very lethal girls. In dying at the affordable, Arthur Lyons entertainingly seems on the heritage of the B motion picture and the way it ended in the style that may grow to be referred to as noir, a style that many years later will be reworked in such "neo-noir" motion pictures as Pulp Fiction, Fargo, and L.A. personal. The e-book, loaded with motion picture stills, additionally contains a witty and informative filmography (including video assets) of B motion pictures that experience mostly been missed or neglected--"lost" to most of the people yet now restored to their rightful position in motion picture background due to dying at the reasonable.

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Additional info for Death on the Cheap: The Lost B Movies of Film Noir

Example text

The film was not to everyone's caste, perhaps one reason Columbia waited until 1945 to resume its production of: B noirs. ; of experience producing low-budget movies, however, and thus RK0'5 transition to the wrld of Rs was not as strained as it W% for many of the other majors, Alehough the bulk uf its Bs were comedies, musicals, and westerns, it, did venture into the world of mystery. Two 36 DEATHO N THE CHEAP such notable entries in 1936 were hard-boiled detective stories: Muss 'Em Up,in which Pregon Foster plays a tough private ege who likes to do to croaks what the title says, and We're Only tluwn, in which Foster is a tough cop who isn't above the same behavior.

The film was not to everyone's caste, perhaps one reason Columbia waited until 1945 to resume its production of: B noirs. ; of experience producing low-budget movies, however, and thus RK0'5 transition to the wrld of Rs was not as strained as it W% for many of the other majors, Alehough the bulk uf its Bs were comedies, musicals, and westerns, it, did venture into the world of mystery. Two 36 DEATHO N THE CHEAP such notable entries in 1936 were hard-boiled detective stories: Muss 'Em Up,in which Pregon Foster plays a tough private ege who likes to do to croaks what the title says, and We're Only tluwn, in which Foster is a tough cop who isn't above the same behavior.

The B rank seemed to sofidifi at nemly every major studio. " Tr: is not coincidental that the D w i e came into its own in the same period that film noir was born. Aside from. literary influences, developments within and outside the movie industry over the next few years would coalesce to ensure that film noir would ernew ;;is a coherent film style. h e commonly noted evenr was the b o d af foreign directors in Hollywood before and during World War II. They brought: with them the visual style of C e m a n expressionism, which entailed odd camera mgles, low-key lighting, the ittventive and sometimes surreal use of shaclows, and the reflection of tight off wet sudaces such as streets.

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Death on the Cheap: The Lost B Movies of Film Noir by Arthur Lyons


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