By B. Paris
Addressed to all readers of Dostoevsky, in addition to to academics, scholars, and experts, this lucidly-written learn methods the underground guy, Raskolnikov, and Ivan and Alyosha Karamazov as imagined humans whose emotions, behaviors, and ideas are expressions in their personalities and experience. whereas announcing the autonomy of Dostoevsky’s characters, Paris indicates that there's a stress among them and the author’s rhetoric and demonstrates that the characters usually break out their illustrative roles. by means of paying shut cognizance to mimetic aspect, this ebook seeks to get better Dostoevsky’s mental intuitions and completely to understand his brilliance in characterization.
Read or Download Dostoevsky's Greatest Characters: A New Approach to ''Notes from the Underground'', ''Crime and Punishment'', and ''The Brothers Karamozov'' PDF
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Additional info for Dostoevsky's Greatest Characters: A New Approach to ''Notes from the Underground'', ''Crime and Punishment'', and ''The Brothers Karamozov''
As is the case with other aspects of his behavior, the underground man provides ample material for analysis, and some of his explanations show a great deal of insight; but he is far from knowing himself “perfectly well,” as Bakhtin says he does (1984, 52). The underground man is puzzled by the disparity between his ideals and his actions. He not only fails to live up to his ideals, but he 40 DOSTOEVSKY’S GREATEST CHARACTERS seems compelled to violate them. His spells of dissipation often begin at the very moments when he is “most capable of feeling every refinement of all that is ‘good and beautiful,’” and the more conscious he is of the good and beautiful, the more deeply he sinks into his mire (I, ii).
IV. A SPITEFUL OFFICIAL The underground man’s inner conflicts continue to manifest themselves during his years as a government clerk. He is now even more isolated than he had been at school. He “never looks at anyone,” has no friends, and feels that his fellow workers regard him with “loathing” and “aversion” (II, i). ” “I am alone,” he laments, “and they are every one” (author’s emphasis). ” As at school, he cannot not bear his isolation indefinitely and develops a craving for society. He shifts from being unwilling to speak to his fellow workers to “contemplating making friends with them” (II, i).
There is enough reliable descriptive material to permit us to understand the underground man’s character structure; and equipped with this understanding, we can identify his defensive maneuvers and comprehend their function in his psychic economy. I said in the opening chapter that I would offer an analysis of the underground man that would show his ideas to be the product of his psychology rather than the other way around. Before engaging in such an analysis, I have found it necessary to examine the protagonist’s history, personality, and interactions with others.
Dostoevsky's Greatest Characters: A New Approach to ''Notes from the Underground'', ''Crime and Punishment'', and ''The Brothers Karamozov'' by B. Paris